#Avantasia moonglow zippyshare plus

Even Sascha’s flying solos are pinned back for the most part with a big one coming in “The Raven Child” and another one in “Requiem for a Dream.” “Book of Shallows” might actually have the best riffing on the album, which helps because it is a monster track. The three songs with Geoff Tate have some nice riffing but “Alchemy” feels partly like a rehash of “Seduction of Decay,” a song hardly anyone enjoyed.

This feels like he left some cards in his hand for later or something. Normally, Tobi pulls out all the stops for this project and leaves it all on the table with no mystery as to his goals. There are some really heavy riffs on this album and a couple brilliant guitar solos like on “Requiem for a Dream.” As a whole though, the leads feel a bit tempered, which is unusual for Avantasia. Overall, the riffs on here are pretty solid with several standout moments across the album but the lead work overall is a step down from Ghostlights. Oh and the chorus? You already know it totally rules. It does have pretty good riffs but the folk sections are gorgeous. Honestly, the whole first half is pretty strong and “The Raven Child” is an exceptional track due to the stirring folk instrumentation and Hansi’s amazing vocals. The chorus is fantastic but we should expect nothing less from Tobias. He sounds great and even though that part of the song is “thrashy,” it does not quite work. Then Mille Petrozza’s yelling vocals come in and it feels like something is wrong. Tobi’s lyrics are pretty good but the song does not have the same booming effect or the same gravitas as “Mystery of a Blood Red Rose,” which interestingly enough is mentioned a handful times throughout “Ghost in the Moon.” “Book of Shallows” has a killer ¾ tempo main riff and guest vocals by the immortal Hansi Kursch along with Jorn Lande. The difference here is that “Ghost in the Moon” is more of an epic that kind of plods along at mid-tempo with solid but unspectacular riffs and average drumming. The album starts off pretty strong with the almost 10 minute mid-paced rocker “Ghost in the Moon.” Much like its predecessor, “Mystery of a Blood Red Rose,” it starts as a piano ballad with Tobi’s slow lyrics and then turns into a booming rock song. So what does the great Tobias Sammet have in store for his listeners this time around?

#Avantasia moonglow zippyshare plus

It features the usual cast of characters plus a few new notable names, mainly Mille Petrozza (Kreator) and the power metal God himself, Hansi Kursch. 2017’s Ghostlights was by far the best thing they have done since the first two albums and now they follow it up with Moonglow, which is the conclusion to Aaron Blackwell’s story. Most fans adore The Metal Opera Parts I and II but have varying opinions on Scarecrow and everything Avantasia has done since as it is much more rock oriented instead of being neoclassical like the first two albums. If you are a die-hard fan of the genre, you probably know them extremely well and have a very strong opinion on their material. Quality.: Insane, (avg.Even if you are only a casual fan of power metal, you probably know the name Avantasia. Ripper.: EAC (Secure mode) / LAME 3.92 & Asus CD-S520 Michael 'Miro' Rodenberg Keyboards, OrchestrationsĬountry.: Germany (Mainz, Rhineland-Palatinate) Sascha Paeth Guitars, Keyboards, Piano, Orchestrations Tobias Sammet Vocals, Bass, Keyboards, Piano, Orchestrations Paeth engineered and mixed 'Ghostlights', while the mastering was done by Michael Rodenberg. The twelve-song CD was produced by Tobias and Sascha Paeth at Gatestudio in Wolfsburg, Germany. The third period from 2011 begins with the album The Mystery of Time.ĮDGUY frontman Tobias Sammet's AVANTASIA project will release its seventh studio album, 'Ghostlights', on Januvia Nuclear Blast. The second, 2005-2011, consists of the EPs Lost in Space Part I & II and the The Wicked Trilogy, composed of the albums The Scarecrow, The Wicked Symphony and Angel of Babylon. The first, 1999-2002, saw the release of a self-titled single and two full-length albums with the subtitle The Metal Opera. The project can be divided into three periods of activity. The name is a portmanteau of the words 'avalon' and 'fantasia' ('fantasy' and describes 'a world beyond human imagination' (a quotation from the booklet).

It has been characterised as a rock opera, featuring the participation a variation of vocalists and musicians. Michael Kiske) (6:08)Īvantasia is a German symphonic/progressive power metal supergroup project created by Tobias Sammet, vocalist of the band Edguy. Ronnie Atkins, Jorn Lande, Eric Martin, Bob Catley & Geoff Tate) (7:20)ġ0. Hansi Kürsch, Ronnie Atkins, Jorn Lande & Mille Petrozza) (5:00)Ġ3.